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Friday, October 17, 2008

NEWSLETTER: rise and fall

Hello there,

Up and down, around the mulberry bush and down the talking point check list we go! I don't know about you, but I have been distracted by the Sant'Ana winds and the smell of burning wood. Yet, the fire season takes on an added urgency when I think about the 3 billion dollar hole in the California budget that was just passed, and the 7 billion the Governator is hoping to get from...where I don't know (as a loan of all things). If we can't pay for elder care programs in this state, then how do we fight fires with the "new world water" (as Mos Def prophetically called our precious dwindling resource a few years back)? So I wind up thinking about the markets again, which reminds me of the bailout "plan" (use the term loosely), which reminds me of regulations meant to embezzle legally, which takes me to the presidential talking point debates, which makes me wonder if they haven't noticed that our collective house is not only on the auction block, but it is on fire. But one of them knows that we are angry. The other is ready already to get to work and tired of talking about it, but is expecting us all to sacrifice. As makers and consumers of art, are we willing to be sacrificed? Have we given much thought to how we can shift the discourse around change and sacrifice so that we find opportunity and invention? We kinda need to get ahead of that curve. As Sartre said, "You don't talk philosophy to a starving man." But you can cause us to think and act with a well-placed performance piece.

Afrologic. Afrological. Afrologica. How big is you 'fro?
Multiple, fractal, improvisational, polemical, but always moving with spirit and in the service of lifting it/us all up.
That's the Logic of the Afro--sign up, get your community on.

BLOWIN BACK DA 'FRO THIS WEEK are dances about the times, opportunities to step across a portal to another dimension, and up close studies of the "who" in "who dat?".

OPENING TONIGHT
CARPENTER PERFORMING ARTS CENTER
Martha B. Knoebel Dance Theater, 6200 Atherton Street, Long Beach, CA
October 16 -17, 8 PM; $25/20
Not About Iraq, choreography by Vic Marks
How timely is this? After the debate last night, clearly, it's all becoming about Iraq, our national money trap monument. Vic Marks dives into the subject, looking for a way to understand what is honor and where is it found in a place and idea like "Iraq?"

DIAVOLO DANCE SPACE
616 Moulton St., L.A., CA 90031
October 17th -26th, Fridays & Saturdays at 8 PM; Sundays at 5 pm; $25 reserved/$20/$15
Peep hole| People, LA Contemporary Dance
Opens to the public today. Are we really that paranoid? Have we all begun to think of ourselves as characters in a film? Some of the unsettling questions handled by this evening of work. Leave your ego at the door but plan to have a good time laughing at that other person, not yourself. (right)!


REDCAT
631 W. 2nd St., Los Angeles, CA directions
Sunday October 19 & Monday October 20 @ 8:30 PM; $15 gen, $12 alum, & $8 studs
Studio
It's studio time! The line up is pretty interesting this time around. PLUS, Laclau was hanging out around the bar this afternoon, sounding all smart and what not. LACLAU! That was the geek in me. He's on stage right now bending minds for $10. But the Studio line up for this weekend:
The Fall 2008 edition of Studio was curated by Leilani Chan and Leslie Tamaribuchi, and includes the following six original works:
KAREN ANZOATEGUI: SER; MARSIAN & COMPANY: GROWING UP LINDA -- FUDGIE'S DEATH; DYS-: TAPE MUSIC; KELLY & DAVID with BETTINA HUBBY: UNTITLED FEATHER CHORALE #1; SHEETAL GANDHI: BAHU-BETI-BIWI (DAUGHTER-IN-LAW, DAUGHTER, WIFE);CHRISTINE MARIE: GROUND TO CLOUD
I am going to see Sheetal. I've seen an earlier version of her piece and it was masterful. I do have to say, that the other pieces sound very edgy and inventive in their genre explorations of objects, but rather heady. Kinda my style, but not a light night out.

THE RED MERMADE
2814 Abbot Kinney Blvd @ Washington, Venice, CA 90291
Saturday October 18th, 8 PM - Midnight
Asphalt Sea
Wow. I'm about to explode with excitement, anticipation and a big case of the nerves--the boats just got moved around!! We are all repositioning ourselves accordingly. Come out to see Pat Payne, Meg Wolfe, Gregory Barnett, d. Sabela Grimes, Michael Sakamoto, Anna B Scott, Cari Ann Shim Sham*, and Maia negotiate the newly dry-docked boats, an alley and some stairs. Bring your flotation device for seating. The Techno Hillbillies advise that you should also come prepared to splash around on the asphalt like one funky amphibian during their set to close the night with VJ Tiffy G. This will be a great night. I promise. I rarely do that.


Looking for something mentioned last week? Check the archives.



THE LUCKMAN FINE ARTS
Paseo Rancho Castila, but follow their directions
Saturday October 18th, 8 PM; $45/40
The Limón Dance Company presents: Anna Sokolow's "Rooms" (Major Revival Premiere) and Clay Taliaferro's "Into My Heart's House" (World Premiere)
One of the founding sensibilities of what has evolved into "Dança Afro" in Bahia, Limón technique has profoundly influenced local dance practices around the world with its ability to allow for social as well as personal idiosynscracies. The company is celebrating José Limón's 100 birthday with a world tour, starting here at home. If you can't afford or make this event because you are, er, occupied, you can see...

THE NEW LOS ANGELES THEATRE CENTER
514 S Spring Street, Los Angeles, CA 90013
Saturday October 25th & 26th, 3 & 8 PM on both days; $35, though discounted tickets may be had
The Limón Dance Company presents: Lament for Ignacio Santos Meijas and The Moors Pavane
Truly, this tour is a dance history course unto itself.


Things to look for soon:
Urban Bushwomen & Compagnie Jant Bi present The Scales of Memory at UCR November 14th. Get tickets NOW!

Caseboldt & Smith present California Touring Project @ Diavolo Dance Space, November 21-23, tickets are on sale.

N'Ap Kenbe/We're Holding on: Hope in the Eye of the Hurricane, Performance and Workshops to benefit Haitians affected by hurricanes Fay, Gustav, Hanna and Ike" With Special Guests: Troupe Jaka, straight from Haiti! Saturday, November 8, 8pm Herrick Interfaith Chapel, Occidental College, 1600 Campus Road, Los Angeles, CA 90041


UPCOMING WORKSHOPS AND ONGOING CLASSES
The Caribbean is coming!!! First, Cuba.
Sunday, October 26 JUAN CARLOS BLANCO, former soloist with CUBA's esteemed folkloric company, RAÍCES PROFUNDAS, returns to L.A. to teach two classes:
*1:30-3 PM: BEMBE, & CONGO TRADITIONS ;
*3-4:30 PM: RUMBA: GUAGUANCÓ.
LIVE DRUMMING @ 'DANCE STUDIO NO. 1' (in Studio A) 2037 Granville, WLA 90025--between Barrington & Bundy, 1 blk. no.of Olympic Blvd., brick building). $20 per class; or $35 for both. BLANCO presently directs the AFRO CUBAN folkloric company OMO ACHÉ, based in San Diego. Women, bring full or circle skirts.

And now, Haiti:
Marshall Dance Company and the Occidental College Department of Critical Theory and Social Justice Present: N'Ap Kenbe/We're Holding on: Hope in the Eye of the Hurricane Performance and Workshops to benefit Haitians affected by hurricanes Fay, Gustav, Hanna and Ike With Special Guests: Troupe Jaka, straight from Haiti!
(all workshops in the Occidental College Alumni Gym Dance Studio) Nov, 8
9:00-10:30 am -- Music and Song
10:30-12:00 -- Dance
2:00-3:30--Dance and music
3:30-5:00-- Dance and music
All workshops $10

Are your classes still going on? Have you had to move? Hit me up so that the dance map is current. I have added my Th - Sat morning offering, Olojo Oni, to the dance map. This weekend is special due to the show, but check in, I may be out there getting my head screwed on properly.


ACTION
If you are out Pomona way, or feel moved to get up and get out there, right now there is a gathering of LGBT folks in a local bar, The Press Restaurant, where a professor from the Claremont Colleges was verbally accosted by a drunken patron. Apparently, this is type of behavior is par for the course, so the lovely Shakina Nayfeck has organized this night of Guerilla Gayness, "because there is more than one thing you can do with a fist!" 129 Harvard Ave, Claremont 8 PM until 1:30 AM get your best queer chant out and support the right to be who you are, wherever you are.




LOVELY!
There was a lot to think about in the debate last night. Sorry, but I can't wrap this one up quickly. I've had the sense that I live in a bubble, that all of the "calamity" is taking place somewhere else. The language of those invested with our trust to lead tells a different story. I'm not quite buying it. If we got out of Iraq and Afghanistan and reduced the Pentagon's budget, we would be back in the black with a quickness (not to mention the NEA and NEH and even that awful No child Left behind could be fully funded)! And what about that money pit called "Dept. of Homeland Security?" Hatchet and scalpel! Yet, "we will need to make sacrifices"...Are we willing to take care of our elder performers, many of whom had marginal healthcare to begin with, but most of whom probably lost retirement funds in the money markets? Are we willing to hold rent parties, share our homes, help fix roofs, car pool, split dinner duties and expenses? Though these will all lead to a better social network, stronger sense of community, I kinda feel like I do when I'm in the grocery store and its 68 degrees, all the freezer sections are open and lights are on and the state has announced a power emergency. The up note here? We the people can bring about the change we want as long as we make sure we still have the laws we depend on to allow us to express ourselves. So rather than try to soothe you, I urge you to learn something you did not know about either the tax code, laws of public assembly, or immigration. When you find out something you don't like, write to your representative immediately. Make a piece about it if you are an artist. Tell your neighbor and co-worker. Change will come no matter what. Whether or not you help guide it to benefit you and your community without doing harm to others is another story.

in deep love and gratitude,
-Anna

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