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Monday, July 4, 2011

Fourth of July, 2011

Happy Birthday USA! Now let us point out some of the most incredible ironies: how do we celebrate the birth of nation that meant the death of so many others and the imprionment and enslavement of entire ethnic groups of people from the Western Coast of the Continent of Africa, large swaths of Scotland and all of Ireland? Imagine, if you will, a nation facing its history of conquest and crimes, seeking reconciliation and seeking a present, not only a future, but a present, a nownow, that was inclusive and dismissive of the amazing variety of people that we call "Americans." Would that not be one nation under a groove?

 

Friday, June 24, 2011

We Are Royalty

Another song to know! The Youth from Crenshaw area schools have learned this song. Put your ancestor into the mix at the call!

Learn this for Festival of The Mask

This Sunday, June 25, 2011 in Leimert Park in Los Angeles,CA the procession begins at 3pm. This event by Najité, who is leading the song in the video.

Saturday, June 18, 2011

AFRO ALERT: Neighborhood Festivals For Family Fun This Morning!

It's Saturday, Afronauts! For those of you hardcore thespian, film mavens and performance artist types, I'll see you later on. You are probably just rolling over anyway at 10 AM after all the art-magic at DanceCamera West, Los Angeles Film Festival, Grand Performances, Hollywood Fringe Festival, RADAR Theater Festival, and TCG conference. If you want to see how the critics enjoyed some of the work, check out engine28.com for NONSTOP coverage. I kid you not. I went to the REDCAT Lounge after Sheetal Gahndi's "Human Nature" and engine28 was setting up at 9:30. Setting up! I love it. 

But right now, family fun for everyone! Yes! Hustle your bustle to any of these events today and you will be quite happy with yourself. I am headed to Baldwin Hills for the 2nd Annual Parade and festival. They kick off at 11 AM with a giant puppet march! Hope to see some of that. Waedao Sirisook & Michael Sakamoto will be performing, among others, beginning at noon. FREE. Wear your sneakers. It is really a HILL. No disposable water bottles. Bring a reusable bottle. Awesome. 6300 Hetzler Road, Culver City, CA

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In Leimert Park, the first of a two-day Juneteenth Celebration began at 10 AM. My money is on Noon. Their invite recommends you shop for your pop with their vendors and enjoy the music and performances. KJLH is the radio sponsor, so this will be a large event, and according to Leimert ParkBeat, Texan! Have a look at their coverage of last year's event. It will be a great time. Be prepared to walk a bit for this one, too since it is set up in the parking lot for the area, behind the Vision Theater. https://fbcdn-profile-a.akamaihd.net/hprofile-ak-snc4/195755_211294518893999_...

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In Oxnard, CA (yeah, I said Oxnard) their 21st Annual Juneteenth Celebration kicks off at 11 with Ijoya Drum & Dance Ensemble performing at 1:30 

http://gallery.mailchimp.com/76359758f0ac5cc69d920d1ee/images/ROL3.1.jpg Juneteenth Festival

June 18th at 1:30pm
5th street /Plaza Park,  Oxnard

 

What is Juneteenth? Africans who were being held as slaves in the state of Texas did not find out that they had been declared free September 22, 1862 by Abraham Lincoln until June 18th & 19th, 1865. From the wikipedia entry: 

Though Abraham Lincoln issued the Emancipation Proclamation on September 22, 1862, with an effective date of January 1, 1863, it had minimal immediate effect on most slaves’ day-to-day lives, particularly in the Confederate States of America. Texas, as a part of the Confederacy, was resistant to the Emancipation Proclamation, and though slavery was very prevalent in East Texas, it was not as common in the Western areas of Texas, particularly the Hill Country, where most German-Americans were opposed to the practice. Juneteenth commemorates June 18 and 19, 1865. June 18 is the day Union General Gordon Granger and 2,000 federal troops arrived in Galveston, Texas, to take possession of the state and enforce the emancipation of its slaves. On June 19, 1865, legend has it while standing on the balcony of Galveston’s Ashton Villa, Granger read the contents of “General Order No. 3”:

So it became quite the celebration, with a parade that always ended with those who had been enslaved closing the parade in a solemn walk. Today, it is a festival that celebrates the tenacity and creativity of people of African descent. 

 

Heading out west to the beach:

The Neptune Festival is being revived. Yo Venice is reporting the rules of engagement and the bar for the after party. This event was an annual parade waaay back in the day, rather segregated judging the photos from Venice Paparazzi's site (they appear to be the organizers), which is odd given who used to live in Venice--historically it had a  black core, though the "Negro beach" was Manhattan Beach. Nonetheless, this event has the modern Venice Vibe on it: free your mind and your backside will follow. Sounds invigorating in that Pacific-Ocean-without-a-wet-suit kind of way.

Media_httpwwwvenicepa_ogcqh

Venice High turns 100 next weekend! The movie Grease will be projected on the side of Venice High for free sing along. Venice High, on the corner of Venice & Walgrove, was the site for Rydell High in the movie! This will be a complete freakfest of a scene, so come early to stake out your patch of grass. I plan to dance along. Are you interested? http://theopendaily.com/wp-content/uploads/2011/06/Screen-shot-2011-05-26-at-...

 

And finally, let's go east to Atwater Village, where an up and coming arts colony has taken root along the river. The second Artist Bailout begins today at 3 PM. The Bailout is part of an internaitonal movement of "Soup Kitchens" where artists come together to support ech other's work through an instant micro-grant. The grant is generated by charging a small amount for a bowl of soup $5. The purchaser is then given a ticket to use as a secret ballot for the anonymous project s/he likes the most, which are circulated in advance or posted at the dinner site. I helped itch dance journal's Sarah Wolf run a soup kitchen which was hosted by Nehara Kalev back in 2009. We had  great time. The twist on the Artist Bailout at Atwater Village is that there are only two projects up, and you will know who they are, plus, there are donors for things beyond the soup. This creates a large possibility for the artists who have their work up! Head over to the event today at 3PM. $10 to eat, $5 to vote only. Or, start your own! Atwater Crossing 3191 Casitas Avenues, L.A. CA 90039

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Well, my family has voted down a run to Baldwin Park, so I hope to make it to Leimert Park! Have a wonderful Emancipation Day!

Friday, May 27, 2011

AFRO ALERT:Gil Scott-Heron Walks On

Reports are flowing in that seminal poet, Gil Scott-Heron has passed away. At least he gave us one last sinewy album to rock our consciousness before he made his departure. The revolution will not be televised, it will be passed via hugs, earphones, and messages in the night.

Wednesday, May 25, 2011

VISCERA lands the N2 B.O.O.G.I.E. mission at the Van Nuys FlyAway

Orixas_stuck_outside

The ori.Xas find themselves outside the jump station...again. 'Bout To Get On, Artistic Directon by Anna B Scott, Photo by Andy Holtzman http://www.dailynews.com/ci_18124749?source=rss_viewed

WHAT A BLAST!

A huge thank you to my cast >>Pat Payne, Judith Scott, Staci Mitchell, d.Sabela Grimes, Paul Outlaw, Alexandria Yalje, Amy Shinson-Santo, Shelby Williams-Gonzalez, Anindo Marshal, Jahanna Blunt, Adanna Jones, and Baker Scott de Almeida

Thank you to staff of Department of Cultural Affairs and LAX World Airports, and especially the staff of the FlyAway itself for their willingness to play along, eventually ;->

We just completed 'Bout To Get On, an installation at the Van Nuys FlyAway and now I turn to getting involved with the politics around the FlyAway system that our work sought to highlight.

 

Did you know that you can only buy passage with a credit card on the FlyAway system?

Did you know that just last week, a report was released from their offices stating that it continues to run in the red at a tune of several million dollars a year?  Worst example: the bus that departs Westwood (serving the campus of UCLA) has an average of 7 passengers for each trip.  SEVEN.

Some of the things I discovered while preparing the piece would point to missed ridership and an overly narrow focus on service delivery. For example, each time I was there,  at least 2 individuals required assistance from fellow travelers to get their ticket since they either did not have a major credit card (meaning they had Green Dot or some other pre-paid card service), or had insufficient funds (the last actually happened during the show while I was in negotiations with him to show me his ticket).  Another thing we discovered during the show, the "tickets" expire in one hour and are mere flimsy fax paper receipts, very easily smudged!

With a series of performances and opportunities for audience feedback, even changing the ending of the show in real time, for example, 'Bout To Get On could help the FlyAway project managers and users work together to design a better system more friendly to multiple types of riders.

'Bout to Get On is absolutely fabulous, and now I am ready to go deeper with the work. So pelase, contribute, sign up for our shortcode messages, cause we just got the refractor beam harmonized: it's time to discover the rhythm of seamless transportation in LA.

Make a donation today!  A fun inversion of the show might appear at an ArtWalk near you...

 

This installation was made possible by the generous support and/or assistance of Earnestine & William D. Scott; Mary Trautwein of reDiscover Center; Cooper Bates Photography; Stephanie Sills of Ingenuity on Call; Baba Thiam, Tailor; Baba Fasegun; Keisha Davis of Community Build, Leimert Park; Fractured Atlas; Lucy Florence; Lula Washington Dance Theater; Anindo Marshall, and Pat Payne.

'Bout To Get On is the inaugural installation of the Ephemeral Art Program of the Public Art Division of the Los Angeles Department of Cultural Affairs in Association with The Los Angeles World Airports.

Monday, May 23, 2011

AFRO ALERT: or cp-timed listings 5/23/2011

AFRONAUTS!

 

If you are in Los Angeles area, I would like to cordially invite you to dance theater installation by my pick-up performance instigation troupe, VISCERA. The show is called 'Bout To Get On and happens today, Monday May 23 at 2 PM then again at 4 PM. It is free! Commissioned by The Los Angeles World Airports and the division of Public Art in The Department of Cultural Affairs, 'Bout To Get It On asks the question: what happens when the signs in the airport turn out to be extraterrestial beings on mission to find their team leader?

 

Bouttogetonsplash

Make a donation to the project! We have some fancy t-shirts for everyone donation over $75. New gift ;-> And the QR-Codes will make an appearance at the Leimert Park Art Walk, so get on the bus!

Tuesday, May 17, 2011

Tuesday, May 10, 2011

DANCE ARTS BREAKING INTERNATIONAL NEWS: SAND to screen at Cannes

Los Angeles screen dance and dance filmmakers should be absolutely beside themselves with joy at the announcement that Cari Ann Shim Sham• is headed to Cannes. Her moving short film, SAND, has been invited to screen in The American Pavillion on May 18th, 10:30 AM. What does it take to get into the final 16 at the Pavilion? Clearly, a whole lot of shim sham verve and class.

Shimshamruddick

Kyle Ruddick & Cari Ann Shim Sham* at The Idea Project Dinner Series, AD, speaking about Ruddick's project, One Day On Earth.

The American Pavilion hosts young and emerging filmmakers, giving them an opportunity to meet industry insiders while having their work showcased. The 16 films are gleaned from a nationwide call to ALL film schools. It is out of this rather competitive and large pool that SAND emerged as a singular work. In addition to being hosted at the American Pavilion, SAND will screen in the out-of-competition segment of Court Métrage. Directed by Cari Ann Shim Sham* and co-produced with Kyle Ruddick, SAND is at once a dance film and an archival document.

<p>Sand Trailer from Cari Ann Shim Sham* on Vimeo.</p>

LA was quite fortunate to see SAND first, at the 2010 installment of DanceCamera West, where many thought it deserved top prize. Your writer here, though, was among a group of 50 who saw it at UCLA, the crowning jewel in an exquisite MFA reel by Ms. Shim Sham. After the re-edit of Bleu into the even more incredible Are You For Real, the audience could not imagine anything better. After the first 60 seconds of SAND, we were quite clear that a) Shim Sham is an incredible story teller; b) this was no simple documentary, no class screen dance post modern pastiche, clearly not an elegiac biopic. No, SAND is something rare, incredible, precious: it is a gift to all involved, given by all involved, including the audience.

 

If you are now slapping yourself for having missed SAND last year, you can at least get to meet Ms. Shim Sham* herself at DanceCamera West in 2011. She is also on the screening committee for the festival and serves as the curator of short films at the Topanga Film Festival (a very sweet festival if you have never been. Still looking for other ways to connect with the Cari Ann Shim Sham* magic? Sign up at One Day on Earth and she is likely to see your footage. She serves as the educational tool kits core writer and facilitator for the project and constantly digs through the ever-expanding group-sourced archive looking for wonderful surprises to share with the One Day On Earth Community.

So join in a toast and click those heels for Cari Ann Shim Sham*!

Monday, April 25, 2011

AFRO ALERT: Pentacle Dance Break NOW

Pentacle'’s Help Desk/L.A. and Bootleg Theater

 Pentacle’s Help Desk/L.A. and Bootleg Theater
in association with Dance Resources Center, Los Angeles County Arts Commission, Los Angeles Department of Cultural Affairs, Los Angeles Stage Alliance and Show Box LA 

invite you to join us at the Second Los Angeles Dance Community Meet and Greet

Want to meet others in the L.A. Dance community and see old friends?  Looking for partners for collaboration, opportunities for performance or for resources to help you build your dance company?  Join us for an evening of music, socializing and fun for L.A.’s dance makers.  All are welcome! 

When:            Monday April 25, 2011, 7pm

Where:           Bootleg Theater

2220 Beverly Boulevard

Los Angeles, CA 90>
View Larger Map



 

 

Saturday, April 23, 2011

Earth Day Anyway

Funny thing about LA and its enclaves: you can get the same celebration with different inflection for about 2 months from the actual day. Though today was Earth Day, be aware that you have not missed all the festivities.  In fact, Santa Monica, known for its festival on the Promenade, did not through an event this year, thei blog asks you to wait until June. South LA did theirs last week. Wishire Corrider had a Car Free Day Across the City starting at 6 PM, but I was definitely in my car at that time, hustling costuming...in Lemiert Park which did not have an event (maybe they are firmly South LA). Saturday, April 23, however, Topanga Canyon rolls out the green carpet for us all. This Earth Day Event is rumored to be EPIC. If only there were shuttles up the hill so you did not have to drive...In any event, it is Earth Day everyday; this is the only mothership we got y'all. I continue to read Bridge at the Edge of the World by James Gustav Speth and wonder if we are goign to own that fact sooner rather than later. 

 

Media_httpgreenlif3fi_siffu

honestly, this image does not soothe me one bit. The world is turly in our hands, but we keep mistaking it for an orange ready to juice.

Sunday, April 17, 2011

Afropos #1; Gas and Go No More

Are your show tickets swirling in your gas tank? Afrologica editor Anna B Scott, the Doctoradancer, has spent the last week in think tanks considering the impact of the arts on the environment. It ain't always pretty.
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Appearances
With gasoline now "cheap" at $3.99 in LA, and actually averaging $4.17 for gas that does not make my car go "are you crazy!" I find myself self-sidelining. I was not really aware why I kept missing shows, or just ignoring certain invites where normally I would make a way to show up for at least a bit of it. You know how your subconscious always shows your behind? Well, as a mother of two, mine went into survival mode, which for me translates as, almost all art consumption has to either serve the three of us, or save their little lives once a week. We are down to community arts experiences and two weekly master dance classes that I take, and one dance class that I give.

Weird.

I am astonished at the number of magnificent things I just decided I would not see. But yesterday, when I went to put that gas in my tank and realized that since I was waiting for some payments to come through on Monday, I would need to only pt in a 1/4 of a tank, everything slid into place. Awareness found me: I am not going because going costs me before I even buy the ticket. Obviously this has always been the case, but now, it is exceptionally clear. After sitting with this realization, other connections made themselves known.

<insert personal art infographic here>
I am reading The Bridge at the Edge of the World: Capitalism, The Environment and Crossing from Crisis to Sustainability. This was an assignment given to participants of "Arts and Environmental Dialogue" sponsored by the California Lawyers for the Arts. The event was on April 17. I was added to the guest list on the 16th, so I only deeply read chapter 1 and skimmed the rest. I am now going back over it. I want to invite those of you so moved, to read this with me. Here's why: according to Debra Deets, landscape architect with LA City Dept. of Public Works, there are 400 SQUARE MILES of city here and 8,000 SQUARE MILES of street. If you go and check out the Dance Ninja's interactive map of just dance studios and then the recently released SpaceFinderLa interactive map of performance-centered space, you'll notice that "space" is flung across various locales in LA, with normally significant distance between your audience and your stage or you and your rehearsal space or you and the cool community art event or...We are very quickly about to experience an oil-fueled crisis in the arts.

Each time we crank up our gas-fueled car or truck we had some carbon to the air. once we get on the freeway, driving at a clip, we add particulate in the air. When you get close to all the amazing art places downtown and begin to idle your car while you impatiently wait to make the transition from the 10 to the 110, you really dump a lot of carbon on the heads of folks who live in Adams. Are we asking certain neighborhoods to bear the health cost of our art making/consumption?

Last night I announced to the kids that they were going to give up chips, beef and juice. These foods are too expensive in more ways than one. I was listening to a radio interview on Pacifica where the speaker talked about water getting exported int he form of grain. Something like every ton of grain has at least 100,000 gallons of water in it?!? What this comes down to is that my kids' diet contributes to water crises in other parts of the state and the nation, but also to the oil crisis, which means it creates an art crisis.

Our food consumption creates an art crisis?

Our desire to drive to go and see more than one event in a day creates a health crisis?

Kicking the Habit or the Can Down the Road?
I am very excited about the new train lines. I do not think they are coming fast enough, but I want them to be safe and well built, so I work on my patience. But when you check out a Metro map of Los Angeles, you'll see that the trains are not really going to do all that much for most of us living here. Trains at grade should go in on Venice, Pico, and Santa Monica Blvds. for their entire lengths. Perhaps we'll see that in the next en years. But right now, we are going to need to make a way to get the art adventurer mobile without feeling like an ecoterrorist (and yeah, that term has been used against people who are working to save the planet, but I think it should be applied to people who keep doing the same ol' thing with their oil, water and food consumption).

  • SuperShuttle for the Arts?
  • Dance Van?
  • ARtBUS?
  • Can we buy carbon offsets along with season tickets?
At that meeting sponsored by CA Lawyers, I asked Council member Jan Perry if there had been any consideration of applying a car surcharge to all ticket sales for art events downtown with the money pooled as a way to sustain improvements that are being made with redevelopment money which is now 'disappeared' by Gov. Jerry Brown. She gave me one of those looks, did some talking, and we had a bit of a back and forth about license plate lotteries, economic development, the shows starting on a bus, etc. She gave me her card afterward. In the Bridge at the Edge of the World, James Speth outlines the ways that change towards saving the planet and human society (no planet, no humans) is regarded within government and capitalism, one of which was Policy World. Jan Perry firmly lives there. Are we willing to hand her ideas for policy that make art practice, consumption, and advocacy sustainable?

This past Thursday, I got invited to the Imaginative Commons and joined the housing think group. Thankfully, our team was lead by Beth Steckler, member of MOVE LA, an advocacy group for thinking about housing as the new Metro stations develop, and Jan Williamson, executive director of 18th Street arts center. This issue of travel for artists is also tied to the issue of space for artists to LIVE and make work. What a conversation. The entire event was put together by LA County Arts Commission and the California Community Foundation. Claire Peeps of the Durfee Foundation lead us in a "speed summit" with several think groups created around the core missions of the Mayor's Office. Sobering, tough work, but enlightening work.

So now, I am thinking about that gas in my tank and the missing programs and tickets. I am concerned about popping into community arts activities without setting forth a travel plan and looking for folks to carpool with me. I am mad that there is no longer a student cash fare on the bus and that children 5 and up must pay. I am wondering about how far will this all have to go before we decide to remember that thriving as a species never occurs when we work as individuals, but as groups that problem solve, negotiate and collaborate on meeting our basic needs.

It would be ridiculous to have everyone thrown into survival mode because of the cost of gasoline. It sucks that there are people who are expected to live there, and those who believe that that is the only setting on the TV called their life. And now I go to get in my car to drive to an art district because art making has been zoned a nuisance.

I just thought this was apropos.

Big shout out to Giavanni Washington for coming up with the title I am using above. This new title is for things that have me going...where, I do not know.

Tuesday, April 12, 2011

AFRO ALERT: Dance break!

Seriously! First Lady MIchelle Obama, Beyoncé and Ailey Dance have teamed up to make this "flash workout" for kids. After watching it, I think this would make a great teambuilder for adults. So Let's Move!

 

http://youtu.be/-sN5VALvrVE

Head over to the Ailey blog and leve your comments on teh video there. But f you have something snarky to say, like, thankfully Beyoncé is not in the video, feel free to post that here;->